#10: Reading Wishlist

1. Dresden Files #2 by Jim Butcher
2. House of Hades by Rick Riordan
3. Blood of Olympus by Rick Riordan
4. Storm of Swords by George R. R. Martin

Book 5: Dresden Files #2 by Jim Butcher.

#9: Book Talk Presentation

#8: Book 2 Trailer

#7: Book 4 Reflection

Intro: Watchmen by Alan Moore and Dave Gibbons is not only the book that changed how we view comics, but it’s a book that ponders ideology and how much a life truly is worth.

1.       The end of the book shows the “villain” killing off almost all of New York, declaring it a victory for the survival of mankind on the brink of Nuclear War. To avoid Nuclear war, Adrian van Viedt was able to create “artificial life from another dimension”, “killing” it in New York to set off a psychic shockwave that killed most of the city as a way to scare the nations of the world to stop fighting each other. It works, and ends up being justified in the same way that the atomic bombs in Japan were justified. In fact, Rorschach (the one who supported Truman’s decision during WWII) is disgusted by this plan, and ends up having Dr. Manhattan kill him when he realizes he can’t stay silent about what really happened.

2.       Towards the Climax, the almost-god Dr. Manhattan realizes that all life is miracle. Throughout the book, the reader sees this “living god” grow more and more disconnected from mankind. Only to realize at the end that even though he can see the strings that everyone dances to, that doesn’t mean it’s not a miracle. He cites the existence of his wife to be the example, claiming that out of all the possibilities, her egg was fertilized and grew up to be a living human being. A one-in-a-million chance, the same chance that happened to every single human being on the planet. He even remarks about this, saying that, “… The world is so full of people, so crowded with these miracles that they become commonplace and we forget… I forget. We gaze continually at the world and it grows dull in our perceptions. Yet seen from another’s vantage point, as if new, it may still take the breath away. Come… Dry your eyes, for you are life, rarer than a quark and unpredictable beyond the dreams of Heisenberg; the clay in which the forces that shape all things leave their fingerprints most clearly.”

3.       One of the main characters, Rorschach, declares society to be nothing but a debauchery, yet decides to save the world for the greater good of all. It’s stated continuously that Rorschach hates what the world has become. How people have trivialized love, drugs, crime and the American dream. At the end of the novel, and at the end of his life, he asks for Dr. Manhattan to kill him, saying, “Of course. Must protect Veidt’s new utopia. One more body amongst the foundations makes little difference. Well? What are you waiting for? Do it.”

4.       Characters often muse on the meaninglessness of life, especially when Rorschach claims that we have nothing in life except for the ability to help others. Mused upon heavily by others, especially the people that Rorschach talk to. In fact, his psychologist ends up trying to help break up a fighting couple over trying to work out his relationship with his wife. “Gloria, please. I have to. In a world like this… I mean, it’s all we can do, try to help each other. It’s all that means anything… Please. Please understand.”

5.       Characters constantly try to see if it’s “worth it” to help and save others, even at the cost of innocents or their own lives. Demonstrated continuously (this is a story about superheroes), even by people who try to break up fights before New York dies.

In conclusion? It matters. Humankind has always bickered about what the true meaning of what life and happiness is. If you read Watchmen, it may state that even though everything could be for nothing, you should help those two people. Especially since sometimes, it really is all that means anything. If not for you, then others.

#6: Book 3 Listicle

Intro: Storm Front by Jim Butcher is a clever and ingenious take on the genre of “Urban Fantasy”.

1.       Firmly planted in reality. Storm Front revolves around a detective, Harry Dresden, as he figures out why people’s insides are exploding. He works with the police, and is firmly bound by the police’s procedures and doctrine at several points throughout the book. Harry is limited by his powers as much as they help him, being unable to use most modern technology at the cost of being considered one of the singular most powerful magical people in Chicago.

2.       Real Consequences for the characters. Every time Harry runs into an obstacle, he doesn’t get away unscathed. By the end of the book, he’s had a concussion, thrown up more than several times, almost died, and has almost lost a leg in the process. Not only did he lose the support of the Chicago police through this adventure, but he also had ran afoul of two different crime Syndicates as well.

3.       Witty Dialogue.  “Who’s the real wizard here, huh? Who’s the one with all the cards and who’s the one bleeding on the kitchen floor? You’re nothing, Dresden, nothing. You’re a loser. And do you know why?” “Gee, let me think.”

4.       Explained Magic. Magic gets explained as energy, potential force refined into power beyond our usual comprehension. Just the ordinary sort of explanation (p.s. the title of the book comes from the villain using the natural power of a storm to boost is magic to make peoples heart’s ‘esplode).

5.       It’s just that good. I mean, what do you expect? A serious objectification debate stating the reasons why I think it’s just that good? It’s funny, clever, strongly written, well described… Oh wait. Auhm. You should read it.

In conclusion? The genre of “Urban Fantasy” has become more and more popular in recent years, especially as cities grow and the wild vanishes. As proved by Harry Potter, Percy Jackson, Charlie Bone, and now Harry Dresden, nothing is more excitable than magic in the big apple. Or any other sort of city.

#5: Truth in Memoir

"Memoir (from French: mémoire: memoria, meaning memory or reminiscence), is a literary nonfiction genre. More specifically, it is a collection of memories that an individual writes about moments or events, both public or private that took place in the author's life."
                                                                                                            -Wikipedia Definition of Memoir

If a memoir is nonfiction, then why is it okay for writers to fabricate events to suit their needs? Sure, there is a line between slightly altering an event to elicit a particular reaction from the audience, but there's a line between slightly tweaking an event and creating an event that never happened. Thinking about "bending the truth", there's also a line between what can truly be considered acceptable for "bending the truth". My opinion, is that if the event is changed to elicit a particular reaction, and remains at the bare minimum 90% accurate to what actually happened, then sure. Bend it. But only a little. A bent truth is still a crooked lie.

Thinking about it, Dave Shields is right in a way. We still need genre lines, but only two. Fiction, and Non-Fiction.

#4: Adapting my book

As someone who would be trying to turn The Hobbit into a movie, I would make it either a TV show or a Movie, as with a TV show I could split the novel up into sections, and be able to cover the entirety of the book within a TV show. As a movie however, it has already been proven that The Hobbit could be split up into at least three separate movie and accurately cover almost all the events in the book, with the note that in the movie several changes and additions were added into the current movie. Without said changes, the movie could be cut down to a more accurate two-set movie, or perhaps a single movie. As a director, I also feel as though I would have to limit the number of changes and cuts to an absolute minimum, removing what is only necessary to keep the flow of the TV show/movie going. To ensure that the audience would be captivated, the cast would require a group of diverse and talented individuals. Re-using some of the actors from the movie series would be preferable, as many actors were more than adept at their roles. The soundtrack would also have to be similar to what is currently played in the movies, great epic music that sound like it's taken from the mind of a bard or minstrel. Something that captures the grandeur of the world that they're in, while also fitting with the fantastic adventure that the group goes through. Lastly, the true challenge wouldn't be truly any of those things, but instead it would be much more simple. It would have to show that it wasn't the plot of the book that was spectacular, or what threat was conquered, but the journey that took place and the change that happened in all places of the world touched by this company of companions.